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Tracing the Early Steps of Pipinisme

Menelusuri Jejak Awal Pipinisme 🇬🇧 ENGLISH VERSION Tracing the Early Steps of Pipinisme Tracing the Early Footsteps of Pipinisme Before Pipinisme became a vision, it grew from an unspoken unease. In the early days of my artistic journey, I was deeply drawn to realism—to the ability of paint to replicate reality , presenting what is seen with technical precision. Shadows, proportions, and details became a source of comfort. Everything seemed correct, wrapped in beautifully refined colors—as if it all ended right there. But it all felt incomplete, as though something was waiting, waiting—for something invisible. Something unseen, yet present. Soundless, yet echoing. Present not in form, but in vibration. The turning point came when I encountered the works of Paul Klee, Kandinsky, Jackson Pollock, Jean-Michel Basquiat, and even Andy Warhol. They opened new doors in my perception—that painting is not merely about results, but about experience; not to replicate, but to e...

A Vehicle for Resonance

"A Barter of Meaning: Artwork for a Luxury Car" I am not offering these paintings as merchandise. I am opening a space—a possibility, a resonance. I am inviting a meaningful exchange. An exchange between artwork and something that stirs the soul. As a contemplative abstract artist, I believe that art is not meant to be understood—it is meant to be encountered. A painting is not merely a product. While it takes physical form, its true value lies deeper—in its ability to evoke silence, presence, and the invisible. Now, I offer this: A barter. One original painting for one luxury vehicle. Not equal in price, but resonant in meaning. A car moves your body. A painting moves your inner space. Let us exchange what drives the soul. If this vision stirs something in you, contact me directly. Because this is not for everyone—and that’s precisely why it matters. — Pipin pipinisme@gmail.com pipinisme.blogspot.com 🇮🇩 VERSI INDONESIA Saya tidak menawarkan luki...

EXPERIENCING THIS WORK

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MENIKMATI KARYA INI — EXPERIENCING THIS WORK 🇮🇩 Apa yang bisa kita lakukan untuk bisa menikmati karya ini? Sama seperti ketika kita berjalan-jalan di sebuah taman: rumput hijau, pepohonan rindang, gemericik air, nyanyian burung dan gemerisik daun yang tertiup angin. Yang kita lakukan hanyalah menikmati . Tanpa bertanya, tanpa mengkritik. Indahnya alam hanyalah semu bila kita dipenuhi egoisme. Untuk bisa benar-benar menikmati keindahan, kita perlu membuka diri. Pasrah. Menerima keagungan Sang Pencipta. Dalam kepasrahan itulah keindahan ditemukan—bukan dengan bertanya “kenapa begini?” atau “kenapa begitu?”. Ketika kita mengagumi alam, seringkali kita tidak berpikir apa-apa. Kita justru membebaskan diri dari beban duniawi, dan hanya tersisa rasa kagum yang tak bisa dilukiskan. 🇬🇧 How can we truly enjoy this work of art? Just like strolling through a garden—lush grass, tall trees, flowing water, birdsong, and rustling leaves—we simply enjoy. No ...

PIPINISME

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"Painting Not to Depict, But to Penetrate" "A movement born from the soul, not from form. It is not meant to be understood, but to be experienced—a resonance of aesthetics that transcends visual boundaries, guiding the viewer into a deeper, more personal space that defies words.     Title: Resonansi Tak Terucap// The Unuttered Resonance

Manifesto

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MANIFESTO PIPINISME “Painting Not to Depict, But to Penetrate” I do not paint to describe it. I paint to open a gate—toward a nameless space, where form dissolves into the formless, and color becomes the echo of what cannot be said. Saya tidak melukis untuk menggambarkannya. Saya melukis untuk membuka gerbang—menuju ruang yang tak bernama, di mana bentuk menghilang tak berwujud, dan warna menjadi gema dari yang tak terucapkan. “Ini bukan lukisan lengkap. Ini serpihan kecil dari kesadaran yang sedang lahir—bagian dari bahasa batin yang belum selesai bicara, namun sudah mulai bergetar” “This is not a complete painting. It is a fragment of a consciousness that is being born—a part of an inner language that has not finished speaking, but has already begun to vibrate.” Pipinism is born from the awareness that art need not be understood. It must be experienced . A painting is not a product, but an inner event. It...

The Language Of Painting

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Pipinism: A Quiet Revolution in the Language of Painting This post is available in Bahasa Indonesia below. In a world overwhelmed by noise and spectacle, where art is often measured by its price tag or its likes, Pipinism is a quiet rebellion. It does not scream, but it speaks deeply. It does not seek the crowd, but it resonates with the few who are truly listening. Pipinism is born from silence, from a long journey of an artist who once mastered realism, only to let it go—not because he couldn’t, but because he found something beyond form. It is a path shaped by fire and ash, not as a symbol of defeat, but as a ritual of rebirth. This movement does not claim supremacy. It invites. It does not impose, it opens a space—an abstract, contemplative space—for the viewer to see , feel , and remember something deeply personal yet universal. This is not a brand. This is not a style. This is a way of seeing. A way of healing. A way of reclaiming wonder. From the...

FROM INSIDE TO OUT

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EXPERIENCING THIS WORK — MENIKMATI KARYA INI How can we truly enjoy the work of art? Just like with nature—through no questions—no goals, no rules, flowing water, birdsong, and rustling leaves—we simply accept. No questions. No critiques. The beauty of nature becomes meaningful when filtered through ego. To truly appreciate it, we must empty ourselves—surrender. Accept the greatness of the One who created it. In surrender, beauty is revealed—not by asking “why this way” or “why not that one”. When we admire nature, often we think of nothing. We release worldly burdens, leaving only awe—indescribable in words. Apa yang bisa kita lakukan untuk bisa menikmati karya ini? Sama seperti alam, kita menghadapi siklus di bawah kanvas tempat hijau, pepohonan rindang, geometrik, air—semuanya hanya bisa dirasakan—bukan yang tertangkap akal. Yang kita lakukan hanyalah membiarkan. Tanpa jawaban. Tanpa analisis. Keindahan alam hanya untuk bisa dipahami pengalaman ket...